A Teacup Collection Notes
Perfect for sending a cup of good cheer, this set of twenty different illustrated notecards showcases paintings of porcelain teacups from the collection of the Clark Art Institute.
From kings and queens to todayâs brides and hostesses, people develop fierce attachments to teacups and often count them among their most prized possessions. The age-old ritual of drinking tea has come to represent many things: a moment of personal reflection, a time to share with friends, or a party for special occasionsâall of which makes the teacup a fitting expression of gratitude, sympathy, or celebration.
Add to that the authenticity, history, and artistry of Molly Hatchâs painterly portraits of teacups dating back to the eighteenth century, and you have a notecard set thatâs both fine art showcase and a perfect collection to keep on-hand for all occasions.
A Teacup Collection Notes is sure to appeal to a broad range of women drawn to the delicacy of porcelain teacups and the calming ritual of drinking tea.
Description
Perfect for sending a cup of good cheer, this set of twenty different illustrated notecards showcases paintings of porcelain teacups from the collection of the Clark Art Institute.
From kings and queens to todayâs brides and hostesses, people develop fierce attachments to teacups and often count them among their most prized possessions. The age-old ritual of drinking tea has come to represent many things: a moment of personal reflection, a time to share with friends, or a party for special occasionsâall of which makes the teacup a fitting expression of gratitude, sympathy, or celebration.
Add to that the authenticity, history, and artistry of Molly Hatchâs painterly portraits of teacups dating back to the eighteenth century, and you have a notecard set thatâs both fine art showcase and a perfect collection to keep on-hand for all occasions.
A Teacup Collection Notes is sure to appeal to a broad range of women drawn to the delicacy of porcelain teacups and the calming ritual of drinking tea.
