Histories in Common
Since its founding, the United States has colonised more than five hundred Indigenous nations in North America and dozens more in the Pacific and the Caribbean. Alyssa A. Hunziker considers how American imperialism in the Pacificâtypically thought of as separate from the colonisation of North Americaâis deeply intertwined with US settler colonialism.
By examining novels, poems, and archival records, Hunziker analyses literary convergences between global Indigenous communities, and uses an Indigenous transpacific methodology to examine how contemporary authors from Native America, Hawai'i, Guam, the Marshall Islands, and the Philippines reimagine and uncover their historical connections.
While the colonial archive has been discussed in both postcolonial and Indigenous studies, archives appear frequently in contemporary Indigenous fiction. Hunziker contends that Indigenous authors use literary form to emphasise seemingly peripheral, or "extra," histories that have been erased from official US records.
Using literary archivesâlike a characterâs collection of calendars, a degrading film reel, or a discovery of unorganised notesâalongside discussions of institutional archives, the authors under discussion subvert Indigenous erasure by questioning how history is told, and which stories go unrecognised.
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Description
Since its founding, the United States has colonised more than five hundred Indigenous nations in North America and dozens more in the Pacific and the Caribbean. Alyssa A. Hunziker considers how American imperialism in the Pacificâtypically thought of as separate from the colonisation of North Americaâis deeply intertwined with US settler colonialism.
By examining novels, poems, and archival records, Hunziker analyses literary convergences between global Indigenous communities, and uses an Indigenous transpacific methodology to examine how contemporary authors from Native America, Hawai'i, Guam, the Marshall Islands, and the Philippines reimagine and uncover their historical connections.
While the colonial archive has been discussed in both postcolonial and Indigenous studies, archives appear frequently in contemporary Indigenous fiction. Hunziker contends that Indigenous authors use literary form to emphasise seemingly peripheral, or "extra," histories that have been erased from official US records.
Using literary archivesâlike a characterâs collection of calendars, a degrading film reel, or a discovery of unorganised notesâalongside discussions of institutional archives, the authors under discussion subvert Indigenous erasure by questioning how history is told, and which stories go unrecognised.












