Poetry and Opinion
Identifying ourselves, others, writers, with their opinionsâand taking the form of the opinion as the epitome of political engagementâwe assert a picture of the self that ought to be scrutinised.
Mass print generated, along with the railways, telegraph, information-relays national and global, as well as the development of specialised forms of technological, scientific, economic, and medical knowledge, a sea of discourse belying any vision of a cogent public sphere: disinformation is not a purely 21st century, internet phenomenon. Poetry helps us understand this situation.
Appearing in verse, claims about reality have been characterised, or have self-characterised, as virtual. As such, Romantic and post-Romantic poetry makes perceptible other ways in which, in other precincts, utterance becomes virtualised. Sometimes, by the psychological turbulences of the citizen-as-creature, appropriating world events to the need to self-assert; sometimes, as a result of affective matrices that challenge the idea that we are the authors of our own opinions.

Description
Identifying ourselves, others, writers, with their opinionsâand taking the form of the opinion as the epitome of political engagementâwe assert a picture of the self that ought to be scrutinised.
Mass print generated, along with the railways, telegraph, information-relays national and global, as well as the development of specialised forms of technological, scientific, economic, and medical knowledge, a sea of discourse belying any vision of a cogent public sphere: disinformation is not a purely 21st century, internet phenomenon. Poetry helps us understand this situation.
Appearing in verse, claims about reality have been characterised, or have self-characterised, as virtual. As such, Romantic and post-Romantic poetry makes perceptible other ways in which, in other precincts, utterance becomes virtualised. Sometimes, by the psychological turbulences of the citizen-as-creature, appropriating world events to the need to self-assert; sometimes, as a result of affective matrices that challenge the idea that we are the authors of our own opinions.












